ARTISTS · AUTHORISED PRESENCES
19 sonic visions have chosen to enter the Radio Kerokrall universe. We present them with the same care we intend to bring to their music: without noise, shortcuts or reduction.
artists who have granted music to the project
01AUTHORISED PRESENCE
An exploration of deep time where sound does not accompany the landscape: it creates it. Drones, organic pulses and inner spaces turn listening into presence.
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02AUTHORISED PRESENCE
An acoustic universe where electronics, organic instruments and nocturnal listening open subtle territories. His music does not impose a direction: it invites orientation.
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03AUTHORISED PRESENCE
Cosmic breadth, electronic matter and imaginative power. Each composition crosses the distance between the earthly landscape and what, within us, has no boundaries.
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04AUTHORISED PRESENCE
Orchestra and electronics meet in an essential, profoundly human language. Silence becomes structure; repetition, memory in motion.
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05AUTHORISED PRESENCE
From classical discipline to the freedom of improvisation. The cello breathes, listens and responds, giving fragility a luminous strength.
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06AUTHORISED PRESENCE
Piano, strings and electronics shape inner journeys where memory, consciousness and transformation coexist. Cinematic music that does not avoid darkness, giving stillness a profoundly human depth.
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07AUTHORISED PRESENCE
Berlin School, Kosmische Musik, ambient and electronic experimentation become soundscapes in motion. Sequences, resonances and timbres invite attentive, unhurried listening.
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08AUTHORISED PRESENCE
Ethereal drones, slow harmonic transformations and monumental reverberation shape inner landscapes where time seems to dissolve. Music rooted in nature, presence and radical creative independence.
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09AUTHORISED PRESENCE
Jazz, drum & bass, trip-hop, live electronics, ambient and improvisation converge in a personal form of sound research. Guitar, effects and digital technology become instruments for slow, attentive and contemplative listening.
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10AUTHORISED PRESENCE
Neoclassical piano, New Age, Celtic roots and a jazz sensibility converge in ethereal, narrative music. From rural Australia to international stages, each composition holds memory, landscape and inward listening.
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11AUTHORISED PRESENCE
Pedal steel, guitars, harmonica, mandolin, keyboards, synthesizers and loops turn the American landscape into suspended music. Since 2016, the New York group has joined ambient and Americana in slow, panoramic and deeply evocative listening.
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12AUTHORISED PRESENCE
Piano, field recordings and silence form an intimate language born in Tokyo. From the independent path of Schole Records to film scores and Decca, his music holds imperfection, memory and inward listening.
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13AUTHORISED PRESENCE
Low and Native flutes shape instrumental compositions with a meditative quality. Her work brings together musical research, record-label leadership and a practice devoted to sound healing.
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14AUTHORISED PRESENCE
From her songwriting with Florist to her solo ambient work, Emily A. Sprague creates delicate, immersive sound worlds. Synthesizers, loops and spontaneous gestures turn memory, emotion and landscape into material for listening.
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15AUTHORISED PRESENCE
Pianist and producer Kelly Moran explores the piano’s sonic possibilities. In the dialogue between acoustic instrument, preparation and Disklavier, human gesture meets new forms of resonance and movement.
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16AUTHORISED PRESENCE
From Buenos Aires to Barcelona, Bruno Sanfilippo moves across contemporary piano, minimalism and electronics with an essential writing style attentive to silence. His work turns resonance and memory into an intimate listening space, spanning piano composition, ambient soundscapes and the Onix project.
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17AUTHORISED PRESENCE
From the electric guitar of his early work to the self-built electronic instruments of the Space Program, Rafael Toral has shaped sound and silence as musical material. His practice brings together listening, gesture and improvisational freedom; in more recent work, guitar and electronics meet again through harmonies informed by jazz.
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18AUTHORISED PRESENCE
Behind the name Benoît Pioulard is Thomas Meluch, a Brooklyn-based musician and visual artist. Guitars, voice, tape, acoustic instruments and electronics meet in compositions moving between oblique folk and ambient music. The *Stanza* series, begun in 2015 as a sonic journal of daily improvisations, has gradually expanded into the long instrumental forms of *Stanza IV* (2025).
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19AUTHORISED PRESENCE
A Venetian composer and musician associated with ambient music, Gigi Masin builds soundscapes where keyboards, electronics and acoustic timbres move with patience and restraint. From the independent debut *Wind* (1986) to releases with Music From Memory and Gaussian Curve, his music leaves room for resonance, pauses and subtle change.
Explore the artist’s universe →OUR COMMITMENT
Every proposal is assessed for identity, sound quality and coherence with the Soundscape. We do not seek filler: we seek works worthy of the right context.
A piece is not isolated to chase a metric. It enters a considered sequence, converses with silence and retains its narrative dignity.
Permissions, credits and materials are handled precisely. Trust is not a promotional line: it is the project’s operating foundation.
Authorised artists receive research, writing and a visual identity. Not merely a name in a schedule, but a recognisable presence in the station’s editorial universe.
AN INVITATION, NOT A GENERIC CALL
If your music leaves room for the listener, we may recognise something in one another.
Radio Kerokrall seeks ambient, neoclassical, contemporary instrumental and Soundscape works able to inhabit a continuous, measured and contemplative listening flow. We consider only original music that the artist or rights holder can authorise directly.
We promise neither inflated numbers nor indiscriminate exposure. We offer genuine attention, responsible selection and an editorial environment in which every work is heard before it is placed.
Introduce your musicInclude a short biography, listening links and rights ownership. Please do not attach large files to the first email.
